After completing the ambitious task of transliterating the four titles under the "Four Celebrated Poems of Xuan Kong", Joey Yap's accomplished student, Hung Hin Cheong returns with another immense effort focusing on the San He branch of Classical Feng Shui called Yin House Feng Shui.

Much older than any other Feng Shui system, San He holds its own ground to this day, especially in regards to Burial Feng Shui, or better known as Yin House Feng Shui. Whereas the commonly practiced Feng Shui for the living or Yang House Feng Shui, which affects only the occupants living in the property, Yin House Feng Shui brings on more far-reaching effects. A burial, good or bad, can impact several generations down the line.

With The Yin House Handbook: Setting Up a Tomb by Way of San He Feng Shui, Hung provides a practical guide on tomb-setting using San He techniques, where many of the age-old techniques have been reassessed and adapted to match the modern environment without breaking loose from its underlying classical theory.

In addition, the author has also shared his own experience gained over many years of practical Yin House work.

This book - with a Foreword by Joey Yap - is the first of its kind written in English to deliver a comprehensive look at Yin House Feng Shui study. It is recommended for serious Feng Shui practitioners and students, who wish to deepen their knowledge in seeking insights into the Yin House Feng Shui and bringing their understanding and practice of Yin House Feng Shui to the next level.

Click here to read on Joey Yap's foreword on The Yin House Handbook.

About the Author:
Hung Hin Cheong is a successful engineer and corporate manager turned Feng Shui practitioner. His bilingual skills, analytical mind, wry sense of humor, and unremitting passion for classical Feng Shui, have all come together to create this masterly piece of scholarship, designed to help English speaking students progress in classical Feng Shui.

Mr Hung is an instructor with the Mastery Academy of Chinese Metaphysics founded by Joey Yap.